Ever since
the new Quentin Tarantino film have been announced, movie buffs from around the
world started to get pumped up mainly because every new Tarantino is worth the
wait and also because of the subject of the story. Borrowing the cult character
of the violent spaghetti Westerns of Sergio
Corbucci with Franco Nero as the title role of Django, Tarantino once again digs into his knowledge of obscure films. For those who are interested
about Quentin Tarantino they know his visceral knowledge about movies and
especially sub genres, B and Z movies, obscure films, etc. It is no surprise
that Tarantino decided to direct a Western. The only surprise is the fact that
he never directed one before.
Tarantino
and the Western genre
The
auteur’s love story with the gunslinger genre is deeply anchored in his visual
style, see the first scene of Inglourious
Basterds, but also in his storytelling. In his list submitted to Sight and
Sound in 2002 of the ten greatest films of all time, Tarantino crowned Sergio Leone’s masterpiece The Good, the Bad and the Ugly. The
Leone influence is so palpable that QT seemed to have borrowed every trick that
made him love the master’s films. The reference to Spaghetti Westerns is bold
and mostly explored in the epicness of Kill
Bill’s two volumes and the cinematic grandeur of Inglourious Basterds. Many fighting scenes and even the mise en scène of Kill Bill with the tension and climaxes might be the film that most
transcended the Leone complex.
Nevertheless,
a thing that most people tend to forget about Tarantino is his constant
admiration for legendary multi-talented producer/director Howard Hawks who made his mark into genre films more than any other
filmmaker. With his superb mastery of Film Noir, Comedy, Slap Stick, Adventure,
Period, and most importantly Westerns. In 1959, Howard Hawks was almost
considered as a worned out director who gave everything he ever had to give.
Except, the young future filmmakers of the French New Wave at Les Cahiers du Cinema gave him the
recognition he deserved naming him the perfect auteur. Well, in 1959 Hawks with
long time collaborator and friend John Wayne responded to Fred Zinneman’s High Noon starring Gary Cooper with a virulent action packed and Hawksian
dialogues-filled Western that will raise the bar of the genre effecting the way
we make and see films forever. This film is Rio
Bravo. A funny fact is that every time Quentin Tarantino meets a potential
girlfriend he shows her Rio Bravo and
if she doesn’t like the film she won’t be a future girlfriend. When a man has
such a selecting criteria in his search for a life partner we understand that
Cinema is central in his life but also that he vows a cult to the Western and
Howard Hawks. Tarantino’s writing is quite unique, however bits and turns,
especially jokes and funny moments have something Hawksian in their keen
manners and how we easily accept that it is a film we are watching and how the
characters have a sense of knowing they are in a film and how they react to the
realism of their fiction. Let’s not get lost but it is also interesting to
observe that the Tarantino style has been hugely influenced by the many
characters story of Rio Bravo where a
sheriff and professionals unite to get rid of bandits in their village.
Another
influence in Quentin Tarantino’s movies is the films of John Ford. Every time I watch the opening scene of Inglourious Basterds I can’t get out of
my head the opening scene of Ford’s The
Searchers. Here the master has a more subtle influence and his simple but
so efficient mise en scène of
wonderful Westerns set in Monument Valley staring John Wayne. One can respond
to this declaration that Ford is one of the forefathers of Cinema and Tarantino
may have been influenced by his followers like Martin Scorsese, Peter
Bogdanovich, etc. It is quite clear that Tarantino highlights the
filmmakers he wants and that even if he never cited Ford as an influence it is
more than sure that he have seen some of his films.
Well,
Tarantino’s relationship with Westerns is more than obvious and it was about
time that he directed one himself. Since, he can do anything he wants he is one of the
few directors working today to do it his way.
Musical mastery - as always
With Quentin
Tarantino one of the most central aspects of his filmmaking is the almost
perfect use of music and most of the time song selection. He used some Ennio
Morriconne in Kill Bill and Inglourious Basterds and we
should expect some 1960's and 1970's music. But I would love to hear an
Original Score maybe from Morriconne or a contemporary composer that could fit
with him and his style for Django Unchained.
A revenge story - again
With the
updates of the shooting and plot infos coming out since the announcement of Django Unchained, one of the major plot issues was the quest
for vengeance of the main character. A black man who delivers himself from his
chains from a white slave master seeks for revenge on the killing of his black
wife. Does it ring a bell to anyone? Think of Shoshanna Dreyfus' motivation to
revenge the lost of her family by the hands of the Nazis and especially against
Hans Landa. The culmination of Inglourious Basterds is the final act of
the beautiful blond woman against the people who took her family from her.
Well, it is almost ditto to Kill Bill's main character portrayed by Uma
Thurman who has made a triptych to one by one kill the people who came on her
wedding day and try to kill her, her husband, and her unborn child. It is
almost, with Death Proof aside, Tarantino's third time in a row that the
central story of his film invoking vengeance of the main character.
It is almost
too obvious to cite as a direct influence Sergio Leone's Once Upon A Time in
the West that Tarantino takes the vengeance of Harmonica as one of the
major hook and issue of his scripts. It is, indeed, a great motivation for his
characters but also a great hook for the viewer. However, it is quite clear
that he'll have made the point that it is a very good sandbox or if you prefer terrain to
exploit. It also lets the director include more gory violences that he loves to
spread in all his films. We are more inclined to watch difficult scenes when
the character who does it has a good reason like revenging his family.
Let's all
hope that with Django Unchained Tarantino won't repeat himself and crank
himself with his unique style. Well, even if it's another story of vengeance, we should expect something entertaining and worth the wait since it's
from QT. Let's have a countdown until Christmas...
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