The Big Short

The Big Short (Adam McKay, 2015)

Four denizens in the world of high-finance predict the credit and housing bubble collapse of the mid-2000s, and decide to take on the big banks for their greed and lack of foresight.

As Hollywood is telling financing success (see The Wolf Of Wall Street) and crisis (The Big Short), we are propulsed in a world that is as unclear who are the good guys and who are the bad guys. A bit like we you are watching a gangster flick and the cops are as full of shit as the bad guys. In Adam McKay’s The Big Short, almost every person wants his piece of the pie and everyone is at some time a bad guy.



Spotlight (Tom McCarthy, 2015)

The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.


The Trip

Editor’s note : a big thank you to Olive Films for the promotional copy of this Blu-Ray release of this cult classic.

The Trip (Roger Corman, 1967)

Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John (Bruce Dern), a self-styled guru who's an advocate of LSD. Paul asks John to be the guide on his first "trip".

Often cited as the worst film of all time, The Trip is a gem that reflects the spirit of its time. This experiment, cause filming those kaleidoscope drug trips permitted to lead to Dennis Hopper’s Easy Rider also starring Peter Fonda and Jack Nicholson who wrote The Trip. Fonda’s performance is interesting and well nuanced in this extravagant film that has a look of the 1960’s of Michelangelo Antonioni’s Blowup with the depiction of free sexuality and rock music.


It's a Wonderful Life

It’s a Wonderful Life (Frank Capra, 1946)

An angel helps a compassionate but despairingly frustrated businessman by showing what life would have been like if he never existed.

The great American classic of Christmas movies that is It’s a Wonderful Life is like the Casablanca of holiday films. Almost everyone has seen it and some adore it while others, let’s call them the naysayers, call it overrated. Loosely based on Charles Dickens A Christmas Carol, Frank Capra’s film has passed through the ages like a classic novel that lustre the nostalgia of the old-fashioned Christmas.


The Monster Of Piedras Blancas

The Monster Of Piedras Blancas (Irvin Berwick, 1959)

The monster, which looks like a nastier version of "The Creature from the Black Lagoon," invades a sleepy lighthouse town. The superstitious lighthouse keeper is worried for the safety of his beautiful teenage daughter, so he leaves food for the monster, who dwells in a nearby cave. When bodies wash up ashore, the locals take notice.


Remembering Robert Altman

All of my films deal with the same thing: striving, socially and culturally, to stay alive. And once any system succeeds, it becomes its own worst enemy. The good things we create soon create bad things. So nothing is ever going to be Utopian, and when I make films like Nashville (1975) and [Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976)], it's not to say we're the worst country in the world, or God, what awful people these are. I'm just saying we're at this point and it's sad. – Robert Atman

November 20th will mark the tenth year anniversary of the American directors’ death. Often regarded as one of the few American auteurs of Cinema, Altman was part of the great decade of 1970’s film of the New Hollywood of the Penns, the Scorseses, the Ashbys, the Coppolas, the Spielbergs, the Lucas, the Rafelsons, the De Palmas, and many others.



Snoopy, Come Home

Editor’s note : a big thank you to Paramount Home Media Distribution for the promotional copy of this Blu-Ray release of this animated feature classic.

Snoopy, Come Home (Bill Melendez, 1972)

Snoopy travels to see his sick former owner and then feels obliged to return to her permanently.

From the Peanuts’ creator and writer, Charles M. Schulz, Snoopy, Come Home is another great rendition of Schulz’s unique amazing observations of life. One of the only setbacks is the fact that Vince Guaraldi was not the composer of the musical score for Snoopy, Come Home.


How Green Was My Valley

Editor’s note : this review is a translation of one of the first reviews to ever appear on this blog back in 2009. Those were less than a 150 words long and were written immediately after the viewing of each film. This is as aforementioned a translation and a longer edit of this original film review.

How Green Was My Valley (John Ford, 1941)
At the turn of the century in a Welsh mining village, the Morgans, he stern, she gentle, raise coal-mining sons and hope their youngest will find a better life.

Oft maligned as the greatest steal of all time at the Academy Awards, wining Best Picture and Best Director over Orson WellesCitizen Kane, John Ford’s How Green Was My Valley, that was supposed to be William Wyler’s film, is part of one of the most prolific era of Ford’s career. Along Stagecoach, The Long Voyage Home, Young Mr. Lincoln, The Grapes of Wrath, Tobacco Road, and Drums Along the Mohawk were all made between the time span of 1939 and 1941. This is almost as many films as Stanley Kubrick did in his entire career. Joking aside, Ford’s How Green Was My Valley is quite unique and personal in his career.


In a Lonely Place

Editor’s note : this review is a translation of one of the first reviews to ever appear on this blog back in 2009. Those were less than a 150 words long and were written immediately after the viewing of each film. This is as aforementioned a translation and a longer edit of this original film review.

In a Lonely Place (Nicholas Ray, 1950)

A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. But she begins to have doubts...

One of the many films of the 1950’s that is considered as part of the Film Noir genre with crisp black and white, legendary director Nicholas Ray, and Humphrey Bogart. Add to that Ray’s wife at the time, Gloria Grahame, and you have a great film on paper.

The opening scene is a piece of anthology by itself in Bogart’s filmography, his character Dixon Steele, a drunk screenwriter on a dry spell, is in a bar and gets to punch a man, insult another one, and gets into a fistfight. All of that at noon. He represents the wounded man that Bogie always succeeded to portray in films. The perception of this actor can be compared with this character as a man that is mysterious and a bit rude like a wild animal that struggles to be around his peers.
Related Posts Plugin for WordPress, Blogger...