Scream (Wes Craven, 1996)
Scream is a 1996
American slasher film written by Kevin
Williamson and directed by Wes
Craven. The film stars Neve Campbell,
Courteney Cox, Drew Barrymore, and David
Arquette. It follows the character of Sidney Prescott (Campbell), a high
school student in the fictional town of Woodsboro, who becomes the target of a
mysterious killer known as Ghostface. Other main characters include Sidney's
best friend Tatum Riley (Rose McGowan),
Sidney's boyfriend Billy Loomis (Skeet
Ulrich), film geek Randy Meeks (Jamie
Kennedy), deputy sheriff Dewey Riley (Arquette), and news reporter Gale
Weathers (Cox).
With a whodunit story of serial killer in an American small
town, this brilliant homage to the slasher genre of the likes of Halloween, often cited and shown for
most parts, and Friday the 13th was a
popular film that is now regarded as a classic. The title evoking the culture
of the scream queens of the slasher genre and links to the mask of the killer
to the painting of Edvard Munch of the same name with the character looking
directly at the viewer with a distorted face much like the Ghostface mask. It
translates the fear and despair of the victims but more precisely with the
opening scene of Scream. Which is almost a short film in itself and works
perfectly just like the opening of Halloween.
Another aspect of Scream
is how its characters are aware of the classics of the genre and openly
discusses the motives and issues of those movies. They compare their reality to
the operatic way horror films go and the logic of horror becomes their because
they almost seem to know they are stars of a movie themselves. It could have
distanced the viewer but instead, it involves the audience and makes it a part
of the investigation and the guessing game of the whodunit.
With all that said, I must mention that I enjoyed Scream a lot because it is the kind of
film that is made by film lovers for film lovers with its references and
analysis of the genre. But there is more than that, the mystery and the
ensemble cast are some of the most interesting aspects of Wes Craven’s major
hit. Also, there’s a tone of dark humor and self-mockery of the genre and
itself in the way that actors over play and how boldly Craven presses his notes
like the phantom of the opera enjoying himself.
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