L’Avventura
(Michelangelo Antonioni, 1960)
A woman disappears during a Mediterranean boating trip. But
during the search, her lover and her best friend become attracted to each
other.
Infamously
known as one of the masterpieces of the seventh art to have been booed at its
first showing at Cannes in 1960. Michelangelo
Antonioni’s existential film about the isolation of souls, L’Avventura isn’t one of the most
appreciated films of all time. Despite having some elements of mystery and
adventure, the simple plot of a woman (Lea
Massari) who disappears during a cruise of friends on an Island of Italy
and he search of her best friend (Monica
Vitti) and her boyfriend (Gabriele
Ferzetti) who inevitably fall for each other in the way might even sound a
little cliché.
Having
myself written a screenplay based on this story, I cannot hide my admiration
towards the contemplative elements of Antonioni’s visual storytelling. Of the
few Antonioni pictures I have seen, L’Avventura
and Blow Up are my favorites. Both
films are about mysteries and their central characters are pursuing something
that is almost never on the screen. It is the superb cinematography of Antonioni’s
spleen story that will let an indelible mark into the cinephiles’ minds.
The
simplicity of the story and the apparent simplicity of the mise en scène, that is in fact everything but simple, demonstrate
how talented and visionary Antonioni’s contemplative masterpiece can be. In
some point, as I was asked to participate to a weekly feature on the now
defunct website The Cinematheque, I
ranked L’Avventura as the greatest road
movie along with Ingmar Bergman’s Wild
Strawberries. The adventure that represents Antonioni’s film blends with
the spirit of the road movie genre. An introspective journey not only on the
road but into the characters’ selves. Few movies have demonstrated that the
chase is better than the catch and with L’Avventura
we are there and the payoff is not the final moments of the film. But I think
that this ending is pure genius.Or I should say that the journey is the road not the destination. It reveals something in the face of viewers and I believe that it is a film that stinks with you for a long time. You have to actually experience it to completely sense the depth and importance of this unique movie.
The
Antonioni regular, Monica Vitti has this mysterious presence on film. Full of
beauty and sexual magnetism it is no surprise that she was in a relationship
with the director until the 1960’s. Antonioni shoots Vitti with the eye of a
lover and knows how to unveil her strong sides as her frailty.
It is
very high brow and not that accessible for the average movie goer but I don’t
think you have to be a film critic to actually enjoy the cinematic grandeur
that Michelangelo Antonioni has accomplished. As a final note, I would
recommend watching Blow Up before
getting to L’Avventura but only just
to get the kind of vibe that the Italian director carries.
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