Music Reviews : Wrekmeister
Harmonies – Then It All Came Down
(2014)
This one
track LP from Wrekmeister Harmonies,
including many guests (Riley Walker, Chris Brokaw, Wrest, Lydia Lane Stout,
Chanel Pease, Kate Spelling, Indian, Mark Solotroff) , feels like an album its
creator wanted the listener to continuously get wrapped into its more than half
an hour long diatribe.
Passing
through different stages of independent music with some more recognizable
traits like the black metal presence or the female emule of The Microphones. WH
named themself after the cult Hungarian film Wreckmeister Harmonies from Bela
Tarr and their music is repeats the formulaic of Mulholland Drive by David
Lynch. In the DVD release of Lynch’s film, it doesn’t have chapters and the
viewer is forced to watch it from start to beginning. It is a deliberate
decision from its director.
To
continue with the analogy with Mulholland
Drive, which is an ode to Hollywood, films, studios, the star system, Then It All Came Down is also a visit
into music and its many genres. A cacophonous chorus of sounds and emotions. A
musical piece that takes many listens to fully appreciate and get its surprising
circumvolutions. At times only a little buzz is present compared to the total
chaos of screaming and doom drumming.
With
patience, the listener gets the reward for the wait. Like drone or noise music there
are no comparable and the better judge for this album is the listener himself
who will appreciate to different levels the blend of the obvious and many
influences of Wrekmeister Harmonies.
As the
author of those lines, my point of view is that I am greatly surprise by my
first encounter with this collective and the mix of genres and sounds was a
great experience for myself. There are some heavy riffs while some moments
reflect a unexpected sensibility and a depth that few musicians would be eager
to explore. For me, it is a nice discovery and an album that will accompany me
at work in moments of profound concentration for a long time.
8.4
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