Titanic
(James Cameron, 1997)
But other than the most common facts known from producer/director James Cameron’s huge technical achievement we will be analyzing the movie for what it is : a movie.
With an
overture shot on location of the actual Titanic, Cameron wants us as
contemporaries to believe this romanced story of class disputes on the eve of
the 20th Century. Why on the eve in 1914? Well, in History class we told our
students that every century is born why an important event. In the case of the
20th Century, it was the First World War that brought a change for everyone and
mark the birth of the 20th Century.
With Leonardo DiCaprio as Jack Dawson, in
the film that launched his career for good and wet many panties for years we
have on the other end of the couple the rich Rose (Kate Winslet). Their love story is the center plot of the movie and
they each represent a class of poor, him, and rich socialite, her. Rose’s
husband, Caledon Hockley (Billy Zane)
is one of the wealthiest men on board and represents evil capitalism and the
heir of a rich family. A prick. With characters brushed with bold strokes we
kind of already know from start where this film is going. The poor good guy
wants the girl, but the bad rich dude has her and she wants the poor guy.
Perfect simple love triangle.
The fact that
the story is secondary and so not slyly handled is partially forgivable when
the stunning visual rendition of the Titanic is shown. Director James Cameron
is so in love with this liner that he seems to have made this 194 minutes film
as a love making session of him with the lady Titanic. Being, probably the
person who visited the boat the most repetitively on Earth, he is dedicated to
her.
The actual
wreckage is pretty spectacular and one must applaud Cameron’s handling of these
scenes and the realism they represent. Knowing that it was one of the most
difficult shooting doesn’t make the film a superior œuvre, but it shows how
this film is an achievement. It is impressive and even almost twenty years
after it was release dit is still as the aforementioned Ben-Hur’s famous race scene iconic and inimitable.
However, I
have never been a fan of James Cameron’s films and as I must recognize the
technical wizardry of Titanic’s visuals, special effects, and mise en scène, I
cannot pass over the fact that it was a poorly written script and an overly too
long film. More than three hours of this is too much for me and one must forget
the budget and the special effects to actually think about the cinematic value
and spectacle of Titanic. Impressive
but also very shallow.
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