Invasion of the Body Snatchers (Don Siegel, 1956)
A small-town doctor learns that the population
of his community is being replaced by emotionless alien duplicates.
In the 1950’s there were many Sci-Fi films released
with low budgets and many others were B-movies. A lot like many Films Noir of
the time, this industry left many little gems that are now cherished by
cinephiles. Amongst them, Don Siegel’s
Invasion of the Body Snatchers is one
of the most interesting Sci-Fi meets
Horror movies made.
Miles Bennell (Kevin
McCarthy) is the doctor of a fictitious Californian town called Santa Mira
and he is called in urgency to come back earlier from a conference. There was
an accumulation of cases and work for him at the office. Strange signs of paranoia
are showing and many people came to tell him that some members of their
families have been acting differently. But the person he wants to save the most
is Becky Discoll (Dana Wynter);
recently divorced she was Miles’ love interest. When Miles is called by his
friend Jack (King Donovan) and discovers
the body of a man looking a lot like Jack they suspect that something is going
wrong.
Later, the story explains that pods are placed to take
the appearance of the people of the community and substitute them in their
sleep. The replacements are emotionless versions of originals. They are set to
think the same and suppress any kind of personality. It is easy to read this as
the fear of Communism that characterized many Sci-Fi movies of the 1950’s. It
was read as the menace from the left and also the right that the treat was
Communism and also because the Americans were eager to change their minds
together and participate without questioning to the Witch Hunt of the McCarthy era.
What is the most fascinating aspect of this movie is the fact that we can
assimilate anything that we fear as the treat of dehumanization. Because, it is
what the movie is about, without really explaining where the pods come from, the
sky, or how they substitute themselves and get rid of the body of the humans. We
are in the presence of Horror themes that go further than actually a menace to
get killed but that can doom the entire human race and enslave it. Sometimes,
when every elements of a plot aren’t all chewed and explained it lets the
viewer a bigger range for imagination and interpretation. Not knowing what is
going on can be very frightening. Invasion
of the Body Snatchers plays well on this note without being unintelligible.
On the other hand, Don Siegel’s frantic directing creates
a perfect visual of atmospheres, long takes and a great use of shadows and
light. Using the aesthetics of Film Noir give a very dark and eerie feeling to
the whole film. Siegel puts his mark in a very subterranean way. His subtle mise en scène isn’t much palpable, but
the use of the super wide technique (Superscope) is efficient and helps his long takes that characterized
almost his entire career.
Finally, having postponed my viewing of Invasion of the Body Snatchers for many
years have been making me wonder why I haven’t watched the thing a long time
ago. A classic that didn’t aged and that inspired three remakes. Highly
recommended.
Would you believe I've never seen this? I've seen the 70s one, but not this one.
ReplyDeleteMy friend has the poster for this movie up in his office.
You should see! It is an excellent classic. However, some Horror film buffs told me that the 1978 version is very good also and might be a little better than the original. I'll have to catch it soon.
DeleteI agree with most everything you wrote. I like this version the best, of the ones I have seen.
ReplyDeleteThanks. Still, I'll try to catch the other versions too.
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