The last chapter of the trilogy of Apu by Satyajit Ray concludes this autobiographical story of its director with mastery. Apu just lost his mother and is out of school without a "real" diploma. He decides to become a writer and he teaches to pupils as a living. He hardly gets want he needs to survive. His life is miserable and it doesn't seem to get better. One day his best friend come visit and invite him on a wedding in his family. Apu accepts but on the arrival of the groom the family of the discovers that the groom is mentally ill. They decide to cancel this wedding, but the bride must get married before the sunset. If not, she will be cursed. The only solution is to take Apu as her husband. With a little resistance and lots of compassion, Apu accepts again and marries Aparna.
For a while, they live something like a happily life together until Aparna gets pregnant. She returns to her family to have the baby but a dramatic event occurs and Kajal, their son is the result. Once again, Apu gets on his own and disappears. His journey will take messianic scale. However, in conclusion he'll renew with his son Kajal and the journey of the life of Apu will continue forever.
Like the other films of the trilogy, Apur Sansar is shot with crude natural images and rests on the human Indian life. Ray approach to film is near the documentary because it documents how Indians lived and many cultural elements that are unknown by any Occidentals like your host here. The rites of marriage, the couple lives, the food making, etc. Satyajit Ray was the John Ford of his country he took a picture of his land, his time, and the richness of both to spread wide to the whole world. It's shame that his films are so hard to find in North America because his Trilogy is populated by three masterpieces.