Note: this review is a
translation of my original review of the movie I've seen in 2009. Since it
was one of my first long reviews I've decided to translate it for everyone's
benefit. I will do series of re-edits for the films that actually were reviewed
in French in the first moments of this blog.
Suspiria (Dario Argento, 1977)
A newcomer to a fancy ballet
academy gradually comes to realize that the staff of the school are actually a
coven of witches bent on chaos and destruction.
Largely
inspired by Alfred Hitchcock’s
oeuvre, Suspiria is Dario Argento’s most widely known film.
The Italian director is recognized for his contribution to the Horror genre.
Still working today, the quality of his later work left much to desire. Argento
may have repeated himself along his career but his early construction of frames
and inspired montage put him at the forefront of the Italian Horror genre. Few
cinephiles remember that he is one of the two writers who penciled Once Upon A Time in the West. The other
scenarist was no other than Bernardo
Bertolucci. A gossip fact is also worth mentionning, Dario is the father of
underestimated belle-laide Asia Argento.
A
young American woman, Suzy Banyon (Jessica
Harper) joins a prestigious ballet school in Germany. The story is paced
with a slow raise of tension and violence, filled with strange incidents and
murders. The mystery will lead Suzy to discover that the school is more than
just a dancing hall. It is a coven of evil leaded by witches. The simple
plotline of this film flows well and Argento’s aesthetics serve appropriately
the violent murders and their mise en
scène is without a doubt some of the best and most inspired he has done
since his debuts.
Argento’s
strength is also to deliver Horror with style and superb design. The imagery is
likeable and as we often hear about his filming of the violence: he shoots
beautiful murders. If it’s possible to say that it is quite right. Juxtaposed
with the wonderful photography, the music by Goblin brings depth and an unsettling ambiance. Another interesting
fact is to know that Goblin actually composed their music prior to see the
movie.
However,
just as Ed
Howard’s, much more potent that mine, take on the movie points out:
The film never seems to be
actually about
a coven of evil witches who run a ballet school, even though that's a fair
description of its plot. Suspiria
is rarely constrained or dominated by its plot; at times it seems almost
plotless, more of a mood than a story.
We
are left with a very impressive execution of amazing skills with a lack of
content and motives. Put in perspective, Darren
Aronofsky’s batshit crazy Black Swan
was loosely inspired by Suspiria
while being a much more superior film in the use of actors, plot, and the
storytelling in general. However, Argento’s movie is the obligatory entry in
Giallo Cinema and will lead any Horror film buff to much obscure films in the
subgenre. Worth a look.
I love this for its soundtrack, and its atmosphere and style. Everything else is admittedly weak, so it's hard to explain why I like it so much. I just really connect with it on a subconscious level.
ReplyDeleteIts aesthetic is awesome. But the giallo genre was based on style and violence and the story was left behind.
DeleteI can understand the appeal for the movie.