Thelma &
Louise (Ridley Scott, 1991)
An Arkansas
waitress and a housewife shoot a rapist and take off in a '66 Thunderbird.
Often
regarded as a post-modern take on feminism, this action movie of two women on
the run from their stereotypical lives of housewife for Thelma (Geena Davis) and waitress for Louise (Susan Sarandon) has even more to offer
than this unidimensional vision of its meaning.
In a
movie of the Middle West of America, it is quite normal to see a housewife
obedient to her husband and almost scared of his anger. On the other side, the
typical waitress working in a diner carrying a secret that makes her look
stiffer and much more distant to people is a nice blink to let’s say Alice Doesn’t Live Here Anymore.
The
chase for them starts when they decide to go away for the weekend in a friend’s
cabin but on their first stop they shoot a rapist and then part on the run. It
is a clear point that woman abuse has come to a boiling point and when the gun
is shot both women will be relieved from the oppression of men and their
passive life is now over. This is the place where they stand up for the women
and stop being guilty for being what they are. It is literally their liberation
even if at first their sentiment of guilt and scare for trespassing the
civilization of men leaded society eats them.
Then
you have on their trail Detective Hal Slocumb (Harvey Keitel). Keitel is in a very inspired reinterpretation of
the stereotypical detective following killers on the run. He seems to
understand and know why both women are scared to death of authorities. His
presence is protective and he is shot like a father figure to Louise. The scene
where he enters in her apartment and watches a picture of a younger Louise is
kind of awkward in the way that he looks and reacts. This character breaks the
typical pattern of the stupid one trick pony cop that is always two minutes
late on the scene of the crime. It clearly clashes with the other agent Max (Stephen Tobolowsky) who plays it à la shoot first then we’ll ask
questions.
With
Jimmy (Michael Madsen), Louise’s
lover, we understand that their relationship wasn’t easy and that they probably
met to late in their respective lives. This is the kind of man that was good
but also bad for her. He respects her and let her go for her own will.
Other
than Slocumb and Jimmy, the other men pictured in Thelma & Louise are bits of what the worst in men can be, the
charmer and rapist who also cheats on his wife in Harlan Puckett (Timothy Carhart), the young good
looking and horny J.D. (Brad Pitt),
Thelma’s husband Darryl or the man that takes his wife for granted and his possession
(Christopher McDonald), the clearly
impotent and weak state trooper that represents the man in uniform (Jason Beghe), and the vulgar truck
driver thinking that vulgarity will turn on a woman (Marco St. John). It is a nice sample of the worst of macho driven
images that many Hollywood big movies have carried for an ideal. Thelma and
Louise are crushing every man made female phantasm after another.
Then
it leads me to reenact the fact that I’m declaring that Thelma & Louise is much more that just a feminist movie. It is
punch to the face to the traditional action film and to the male models that we
are imposed by films and society. It is a film that asks us to see further than
just the typical script and characters.
On the
other side, those are two women that could easily form one. Just like in Ingmar
Bergman’s Persona there are shifts
between their personalities and they seem to get to form one entity of freedom
and liberation. Looking at their outfits from start to finish there’s a subtle
evolution. Finally, the similarity of their hair color and the changing of
character until the legendary ending of Thelma and Louise demonstrates a real
talent in character development by writer Callie
Khouri.
With
all that said, it is surprising that this film wasn’t directed by a woman. But
in fact, Ridley Scott isn’t that
much a surprise however. With his masterpiece Alien, already a film where a female was the lead in a untypical
role and film, he demonstrated a sensibility that is like no other. I suppose
that Scott let to his female leads a lot of freedom and he listened to his
writer carefully. Finally the cinematography adds to the beauty of the film and the vast desert land represents how the spirit of the West in the same time the Western genre represents hope for a better future.
Thelma & Louise is a great film that deserves
all the attention and praise it received since its release.
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