Note : this review is a
contribution to the Swashathon :
a blogathon of swashbuckling Adventure hosted by Movies
Silently.
The Adventures of Robin
Hood (Michael Curtiz & William
Keighley, 1938)
When
Prince John and the Norman Lords begin oppressing the Saxon masses in King
Richard's absence, a Saxon lord fights back as the outlaw leader of a rebel
guerrilla army.
When watching
The Adventures of Robin Hood I was
telling myself how at this time it was such a great cinematic spectacle. To be
in a huge theatre full of people and with the volume very high I bet it was
quite something to attend. In fact, the huge sets, big stars, thunderous music,
and the presence of fearless stunt men the effects of the quality of the
production were palpable even alone in my living room in 2015. The experience
of this show should have been grandiose for the public back in 1938. It is also
not obvious that it left a permanent mark for the future generations of
filmmakers. Another influence it would have is on the Disney pictures that have
wonderful colors and the use of the music by Erich Wolfgang Korngold and Leo
F. Forbstein. The orchestrations have been recognized by the American Film
Institute as the 11th greatest film score of all time.
Another
aspect that is quite remarkable about The
Adventures of Robin Hood is how it screams loud and clear classic Hollywood
with the presence of Flynn and Havilland. Together, they have made
eight films of epic scale. Flynn, the ultimate adventure player close with his
predecessor Douglas Fairbanks in the
Robin Hood role, represents charm and the humanity in his personification of
the green clothed hero.
The messianic
figure of Robin Hood painted here in this version of the legendary lord who
steals from the oppressor and gives back to the poor and the outcasts is
brilliantly represented. It is simple suspicion but I would make a parallel
between Robin Hood and the politics of President F.D. Roosevelt who at the time
tried to help people in America suffering from the Great Depression. It
is probably also a metaphor on the fact that German dictator Adolf
Hitler was trying to rule Europe like Prince John who was without any other
consideration than his court. Much like Hitler’s politics of racism and
national-socialism. This observation
might be wrong or too Historically oriented about the meanings of the epic
entertainment that is the action filled film we are discussing here but I’m a
believer that movies are more than just entertainment.
Lastly, this
film is indeed a lot of fun with its many actions sequences and gentle comedy.
The presence and charisma of Errol Flynn
is central to the success of the story and later would be linked with this role
for the rest of his career. To many, he is the incarnation of Robin Hood even more
than the flour logo.
The chemistry between Flynn and Olivia de Havilland is another
noticeable aspect of Robin Hood and
the lady is funny and have great eye contact with her co-star. With all that
said, I cannot pass over the directing of Michael
Curtiz, just like the couple of Humphrey Bogart and Ingrid Bergman in Casablanca, Curtiz knew how to direct
his actors in a way that a romantic tension is palpable without a single word
said. Curtiz probably sensed the mutual attraction
of his two stars and knew just how to utilize it and shoot it on film.
The Adventures of Robin Hood is a Hollywood production that still stands
as one of the greatest action/adventure movies of all time. Iconic, classic,
and enjoyable.
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