Du rififi chez les hommes (Jules Dassin, 1955)
A band of French gangsters plan a heist to rob for 240
millions of francs worth of jewelries. This pretty film is regarded as widely
influential on the French New Wave with its two jump cuts. It also was a clear
influence on Stanley Kubrick’s The
Killing and Quentin Tarantino’s Reservoir
Dogs. The scene at the middle of the film setting in details the robbery
was made without any dialogues and the omnipresent music of composer Georges Auric. It is rumored that the
techniques pictured in Rififi was
used many times by robbers from all around the world.
It was one of Jules
Dassin French films that is clearly influenced by his American period. His
mise en scène and storytelling techniques are deeply American and in a certain
way reminiscent of Film noir. There’s a sense of doom in the eyes of every
character in Rififi and it is deeper
than in the fact that they are gangsters. They know that if they don’t make it
their time is counted.
This intense need to live and stand firm in front of their
fear is also typical like the loyalty of gangsters together. They are outlaws
but they play inside the rules of their underworld. There’s a great suspense
with the moralistic ending of this tale of bad guys.
Well, it is quite clear that it was a game changer in the
world of films and might be one of the most influential film for directors more
than for the audiences. However, it has been lately criticized for its
co-called too moralistic ending and turn of events. Especially, Jean0Luc Godard
among others has been very harsh on Dassin’s film and for him Jean-Pierre
Melville’s films were better films in their ensemble.
Finally, Rififi is
one of the most entertaining movies about heists that is felt to be in direct
line with other films like Ocean’s Eleven,
both versions. Recommended.
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