River of No Return (Otto Preminger, 1954)
After doing time in
jail for murdering a man in defence of another one, Matt Carkner (Robert Mitchum) takes his son Mark (Tommy Rettig) and wants to live with
him in the country of hunting, fishing , and cultivating. The woman, Kay Weston
(Marilyn Monroe), who was taking
care of Mark is a singer/dancer that just married with Harry (Rory Calhoun), a one of a kind man
embarks her on a trip that will unfortunately involve Matt and Mark.
At first, this assignment to director Otto Preminger by 20th Century Fox producer Darryl F. Zanuck was perceived as a alimentary work that would piss
him off. However, when he read the script, he saw the real potential of the
plot and was pleased to have box-office majors of Mitchum and Monroe. Added to
that, Zanuck decided that it would be shot in a beautiful CinemaScope and with
a very respectable budget.
Preminger, not primarily a Western director made great use
of the long takes and superb scenery of Alberta, Canada. Even if it doesn’t
really feel the genre it was set in, the Western, Preminger took many tricks of
his subtle mise en scène. He focused on the elements of the script he wanted to
elevate even if he had standard material his characters are genuine. Using
Monroe in a role that highlights her typecast in the same time that it put her
in an environment that obviously challenges her character to be in the
wilderness of the nature and the rapids.
The point of view of the European director making a piece of
Americana like a Western brings an aspect of observation that can be compared
to Fritz Lang with his Rancho Notorious.
Dividing critics but also having a cult following it. River of No Return is no stranger to that, mostly under appreciated,
the small circle of its admirers is wide and demonstrate how its values are
enduring as a notable work from its author.
This being the third film from Otto Preminger I’ve saw after
Anatomy of a Murder and Laura, River of No Return force me to think how he represents a director
like Howard Hawks or Nicholas Ray. With a personal mark on each of his films
without using extravagant effects or flagrant signatures. But an omnipresent
flair of metteur en scène that knows
exactly how to shot a particular scene and how to tell a story without falling
into pedestrian territories or driving his car into the middle of the road. A
master at work, if you prefer.
River of No Return
is a solid action movie/Western that involve Freudian themes and an unique
cinematography.
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