Destiny aka Behind the Wall
(Fritz Lang, 1921)
In the Expressionistic
frame story, in which human lives are each represented by a candle, Death
grants a woman three chances to save her lover, if love can triumph over death.
The three stories within the story each occur in a setting that is nominally historic,
but really in the realm of fantasy: an adventure tale with a Persian setting
out of the Arabian Nights, a Renaissance Venetian romance, and a largely comic
story set in China.
In the veins of Nosferatu,
Vampyr, Haxan,
and many other European films of the time, Fritz
Lang’s Destiny is a Silent Horror
movie that mixes with romance and Shakespeare stories. It shows the raw talent
of Lang’s storytelling abilities. With three stories into one that links them
together.
Co-written by Lang and his wife of the time Thea von Harbou, Destiny stars Lil Dagover
a legend in impersonating women in early German Cinema. She has a role into
every story of the film and almost like a chameleon presence, she reminds us
the reason she is an actor of those stories.
There are lots of special effects that characterized early
horror films with many imprints and frame trickery that have influenced the
films to follow. The filmmakers of this era had to be creative to actually play
with the film and make us believe that the trick is almost believable. For a
modern day film goer it might seem amateurish with the digital capture of action
and the CGI remodeling of almost every image but in 1921 the means were limited
and they had to make more with less. It also demonstrate how you can tell a
good story with anything.
Destiny is an important film for History, first it
influenced Alfred Hitchcock and Luis Bunuel to the possibilities of the art of
Cinema but also because it is an early demonstration of Lang’s storytelling
potential. However, the story has some naive elements and it is not a
masterpiece like let’s say the aforementioned Nosferatu or The Cabinet of
Dr. Caligari but it is still an essential German Silent film.
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