Repo Man
(Alex Cox, 1984)
Young punk Otto
becomes a repo man after helping to steal a car, and stumbles into a world of
wackiness as a result.
Lately, I’ve
joined the Cult Film Club and Alex Cox’s Sci-fi amalgam of counter
culture of punk rockers blended with a metaphor on American Capitalism was the
subject of their latest podcast. Having never seen this film before, I was
intrigued with the poster on the website of the club. Added to that, Repo Man was included for the first time
in the 2015 list of They Shoot
Pictures’ 1000 greatest
films of all time.
Otto (Emilio Estevez) is a young punk rocker
working at a super market and he doesn’t give much for his job or his boss. He
gets fired after a scene that could easily be the intro of a Twisted Sister video clip. For his
soundtrack, Cox uses classics of the punk rock genre; Black Flag’s TV Party, Suicidal Tendencies’ Institutionalized, Circle Jerks’ Coup D’État,
and he even got Iggy Pop to make the
theme song of the film. Cox who will be making in 1986 the feature film Sid and Nancy about the leader of the
infamous punk rock band Sex Pistols
is no stranger to the punk movement. His cynical view of this generation is
interesting since he seems to have a genuine interest in the music and the
culture it involves. But he is not afraid to bring a critic with the characters
of Duke (Dick Rude) and Debbi (Jennifer Balgobin) and their Bonnie and Clyde frenzy. Just like the
hippies who turned out to be yuppies and embrace the consumerism, with the
generic Wal-Mart like design on every product featured in the film, and
capitalism of the 1980’s, punks are rebels waiting to get into the mold of
conformism when entering in the adulthood and the responsibilities it all
involves.
Later Otto
meets Bud (Harry Dean Stanton) a
repo man that will serve as a father figure for Otto and bring him into a day
job of intense activity and contempt for ordinary people. The perfect job for
the young Otto who was an outcast in his punk days and now an outcast profiting
on society’s consumerism. Getting back
to Harry Dean Stanton, he is my favorite character actor and in Repo Man he gives a superb performance.
1984 was a big year for him while also starring in Wim Wenders’ masterpiece Paris,
Texas, and in John Milius’ Red Dawn, Stanton was hot and managed to
put an performance that was needed as Otto’s mentor in full batshitcrazy but
still as a believable and yet somewhat lovable character.
Repo Man sure carries many subtexts and
messages on society just as any film of the Reagan era, it wants to say a big fuck that to conservatism and conformism
that the former actor and President was bringing in America and that gave so
much fuel to burn for punk rock bands of the time. Just like when Leila asks
Otto : What about our relationship?
He answers : Fuck that!
On top of
that, Cox surely knows his film History including many references to films of
the 1950’s : the obvious light in the trunk of the car that links straight
to the cult classic Kiss Me Deadly,
the rebellious ways of Otto with The Wild
One, and the obvious accelerate when Otto and Leila get in back of the car
to have sex just like A Clockwork Orange’s
threesome sex scene.
As stated on
his blog, Alex
Cox based Repo Man on his personal
life in Los Angeles and the tutelage of Mark Lewis, a car repossessor and a
neighbor of Cox when he lived in Venice, CA. This is like many of Cox ideas
also an idea for a comic book. In fact, many elements of the film seem to head
straight from a comic book and the smileys and nuclear cloud are maybe in the
same spirit that Watchmen, the comic,
was.
Repo Man is the kind of little gem you have to
watch and rewatch at first for the many one liners and then for its many
meanings that Cox wanted to pass as messages like his fear of a nuclear war but
also the demented society that was the 1980’s. Despite some clunky acting and
some technological naive insertions, this is a film that aged well with a slick
cinematography and a great sense of self-consciousness for its era.
Excellent review! I love this film (and the soundrack), and I'm glad you liked it, too. For some reason, I never caught the Clockwork Orange reference before, but now that you pointed it out I can't unsee it.
ReplyDeleteThe more I think of Repo Man, the more I think how I loved it and how it took me into a unique setting. I was certain you were a fan of it as well! Thank you!
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