(Rainer Werner Fassbinder, 1980)
Adapted from
the Alfred Döblin novel of the same
name, the short series of 15 ½ hours is an achievement in storytelling and book
adaptation. With the boldness of Herr Fassbinder
and his fascination for the History of Germany in the first half of the 20th
Century Berlin Alexanderplatz holds a
cult status amongst cinephiles.
Here is the setup for the
whole fresque that is Berlin
Alexanderplatz a parallel with Germany and its History. Alfred Döblin’s novel
is one of the most iconic novels of the Weimar Republic and is considered a
masterpiece of literature. Director Rainer
Werner Fassbinder always felt he had a close link with the novel and its
protagonist Franz Biberkopf. Fassbinder said he read the novel at age fourteen
and it helped him during his puberty. So Berlin
Alexanderplatz is like the culmination of his exploration of the History of
Germany.
The first chapter of the
mini-series sets the pace of the story and shows how Franz is a man with his
own way of doing things like sex. He is a rough man and he scratches everything
on his way. We also discover that he is into a series of karma-like bad luck
and unlucky destiny. As many Fassbinder characters he has a peculiar sexuality
and he represents a bold character in a frail world where everyone seems to be
living a tenuous existence. It looks like every female character has something
broken in it and Franz has this self-confidence that makes him attractive in
his dangerous behaviors.
Keep coming back for the
Marchbinder month and we’ll go on with the mini-series of Berlin Alexanderplatz and its exploration of Fassbinder, Germany,
and Franz Biberkopf.
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