Kes (Ken Loach, 1969)
A young, English working-class boy spends his free time caring
for and training his pet falcon.
Billy
(David Bradley) is a fifteen years old boy abused by his half brother and ignored
by his mother. He has no expectations of life, doesn’t like school and no real
friends until he develops an interest in falconry. The story has been told many
times in Cinema, just look at François Truffaut’s 400 Blows or Claude Jutra’s Mon
oncle Antoine.
What
makes Ken Loach’s film standout is the British angle of the film with the
reality of England. He is a child facing abandon, a difficult life, and he has
a sentiment of being alone. Until he finds a passion and become interested in
something that makes sense in his life. Something that makes him interesting
for his English teacher and makes him feel worth something.
Loach
documentary style of filmmaking involves the viewer in this child’s life.
Filmed with a eye for observation but also an introspect vision of the daily
life of the young Billy. The dark tones of the film, the greys, the browns, and
the natural lighting give a visual that is not that appealing but the sequences
with the falcon are lighted with natural sunshine juxtaposed with a joyous tune
of flute that reveals a subtle sensibility in this quite sad film.
A
recurrent comment of Kes is the
Yorkshire accent of the actors. Sometimes, it was presented with subtitles to
help American viewers understand. As it is for me, my mother language is French
and English is my second language and I didn’t had much problem understanding
the accent. At first, it took me a minute or two to adjust my ear but I didn’t
missed much. So I suggest that you don’t let this little detail retain you from
watching this English classic. Especially, if you liked and enjoyed Cannes’
Palme d’or winner The Wind That Shakes
the Barley also from director Ken Loach. The later is a succinct and
efficient sociologist that can dress a clear portrait of realities of his
mainland.
With the
latest years, Kes has become more and
more recognized with a Criterion Collection treatment and a very obvious homage
in The Royal Tenenbaums. As it climbs
rankings in many lists, Kes is a
great film but not a masterpiece even if it let a clear staple. A nice gem.
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