Showing posts with label 2003. Show all posts
Showing posts with label 2003. Show all posts

2014-03-17

Oldboy (2003)



Oldboy (Park Chan-wook, 2003)

The film follows the story of one Oh Dae-su (Choi Min-sik), who is locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef.

2013-12-21

Elf



Elf (Jon Favreau, 2003)

The story is about one of Santa's elves who learns of his true identity as a human and goes to New York City to meet his biological father, spreading Christmas cheer in a world of cynics as he goes.

2013-12-18

Bad Santa

Bad Santa (Terry Zwigoff, 2003)

A miserable conman (Billy Bob Thornton) and his partner (Tony Cox) pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid (Brett Kelly), and the security boss (Bernie Mac) discovers the plot.

2012-12-17

Recommended Reading: Alfred Hitchcock: A Life in Darkness and Light


Alfred Hitchcock: A Life in Darkness and Light (Patrick McGilligan, 2003)

Of the hundreds of books, biographies, analysis, essays about the most respected and famous film director of all time Patrick McGilligan’s biography might be the most complete and essential to the Hitchcock enthusiasts out there.

In a very apt English McGilligan presents the facts of the life and career of Hitch. From his early works in England to his major pictures like Psycho, every detail of every picture is included. This is not a complaisant biography that praises and shows the man in his entire splendor. On the other hand, it evokes some of the gossips and disputable behaviors of the man without giving them total credits since some aren’t proved to be exactly true.

Paired with François Truffaut’s interview book on the man, we have the two essential writings that we need to fully understand and appreciate the master’s career. 900 pages of pure pleasure.

2012-09-04

The Room

This review is my entry for the Review Tournament held at the LAMB called So You Think You Can Review. Since the identities of the losing participants have been revealed I've decided to re-edit this review and put it here.
The Room (Tommy Wiseau, 2003)
A happy-go-lucky banker sees his world fall apart when his friends begin to betray him one-by-one.
Presented as one of the worst movies of all time, Tommy Wiseau’s The Room was a real head scratcher to me. My interest was mitigated between a curious interest and a little discouragement. Just the poorly made poster with the use of a cheap font and the not-so-appealing face of Wiseau’s character Johnny doesn’t naturally bring you towards this movie. Plus the cheap looking cinematography that looks like a mix of soap and porn isn’t the thing that got me to rush towards the television and ask for more.
Moreover, this kind of actor/director à la Orson Welles or Clint Eastwood might be a sign of pure genius. But in this case it just looks as bad as Ed Wood Jr.’s films. Wiseau who self produced and financed his first film wanted to make his debut outside of the Hollywood system to make it just like he wants. This is, indeed, a very unique film. It might also be the worst film to ever be presented to the Academy. In an interview Wiseau declared that he filled the forms to get to be nominated for the precious statuettes. Well, you know your History and writing that he didn’t get nominated isn’t a real big spoiler here.
Why in the world would someone choose this film for a reviewing competition one would ask? Well, it’s for the film’s cult status just like The Rocky Horror Picture Show, people would dress like their favorite character and go to midnight representations of The Room. The movie actually toured in 2010 around the world and Wiseau would be attending some of these and talk before the actual showing.
At first I thought it was some kind of a joke on me when I begin to watch the “thing”. But when I thought that some people actually attend midnight screenings of this mess I now think that the joke is on them. Why? The plot is very stereotyped and the characters are so one sided that it is like watching a bad play filmed. The sets are so tiny that when the guys are throwing the football it is ridiculous how they throw the ball. And just like one of the films Wiseau loves, Citizen Kane a film so far away from The Room, he directs and acts in the film to do like Orson Welles did. However, Welles had a great talent at both, Wiseau is the complete opposite. He is the cheapest looking director and probably the worst ever actor I ever saw on film. His lines “Aha” reminded me of Beavis and Butthead and his mumbling of words and lines that looks like they were borrowed from well wishes cards weren’t my cup of tea if you let me borrow an expression myself.
The interactions between the characters are almost incestuous and Lisa (Juliette Danielle), Johnny’s fiancée is like pure evil while Johnny is the holier than thou. In real life no one acts like this and nobody is as black or as white. But the best thing I kept for the end are the sex scenes, because without them the story doesn’t hold together, I guess. Shot just like cheap soft core and using footage from one scene to the other. I even fast forwarded those scenes because I got bored to hear Tommy Wiseau’s sighing and worst watching his naked butt. First they are too often, too long and it is just a waste of time because the film doesn’t really needed them and it just destabilized because the movie practically opens with one and without being really graphic they kind of just put the movie on some kind of pause.
Well, The Room is the kind of cult film that may be discussed much longer about it flaws and surprising missteps. It still, nonetheless, earned some kind of recognition amongst film geeks. I suggest that you give it a try just to know what the fuss is all about. At least you now know a little much what you are about to watch. You’ve been warned. This way the joke will be on you too not just on me.

2012-03-01

Les invasions barbares

Note: this a new series of reviews I'm installing on Le Mot du Cinephiliaque. Since I was born and raised in the Province of Québec I've decided to present and review some of the films that populate my culture and that represents the Cinema of here. The feature will be called after our license plate motto: "Je me souviens" for "I remember".


Les invasions barbares aka The Barbarian Invasions (Denys Arcand, 2003)
The sequel to Arcand's Le déclin de l'empire américain, Les invasions barbares was received as well if not even better by the public and the critics. In 2004, it was nominated for the Best Foreign Language Film and the Best Original Screenplay at the Academy Awards. It won the Oscar for the first category while losing in the second to Sofia Coppola's masterpiece Lost in Translation.

With Le déclin(...) Arcand made his name with a film filled with an ensemble cast of despicable characters of intellectual Baby boomers whining about their live and how they succeed more than one and another. It is also the depiction of the battle of the sex in the 20th Century. In Les invasions barbares, Arcand reunites his superb cast while adding the wealthy son (Stéphane Rousseau) of Rémy (Rémy Girard) who wants to pay for the treatment of his dad dying of cancer a proper end for his life. The point is the social commentary about the public Canadian Health system that piles sick people into small rooms dying without the respect human beings deserve. The film is far from only denouncing social problems in our society, it also depicts a dying man's retrospective on his life by discussing his better and his lesser actions. It is also a meditation on the right to die with pride. The structure of the film is more traditional than Le déclin(...) and it falls more into sentimentality than Arcand usual sarcasm. It might feel as a draw back for Arcand but it is also a side effect of the aging director and the mass appeal that the movie wanted to offer to keep the audience in the Theaters.

Far from being Québec's greatest film or even Arcand's best offering, it was a huge success for Québécois Cinema. I must be honest and admit that I was quite proud to see Denys Arcand and his wife/producer Denise Robert go pick up their Oscars seven years ago. It is sad that since Les invasions barbares, Denys Arcand only made one film: L'âge des ténêbres (2007) that will be reviewed in the happening of Je me souviens.

Rating: Ratings

2009-12-02

Les meilleurs films de la dernière décennie - 2003

Pour vous faire languir encore plus avant le dévoilement de mon Top 100 des meilleurs films de la décennie qui se terminera en ce 31 décembre 2009 je vais vous présenter le Top 10 de chacune de ses années!

Voici mon Top 10 personnel des 10 meilleurs films de l'année 2003:


1. Saraband (Ingmar Bergman)
Ingmar Bergman sort de sa retraite pour nous offrir l'un de ses meilleurs films en plus d'être son film final. Grandiose!

Ingmar Bergman offers one of his best film and moreover his final back from his retirement. Magnificent!

2. Lost in Translation (Sofia Coppola)
Un film somptueux qui nous fait redécouvrir Bill Murray et découvrir Scarlett Johansson. Une histoire mélancolique et contée dans un style qui se rapproche de Wong Kar-Wai tout en étant très Sofia Coppola. À ne pas manquer!

A somptuous film with the discovery of Scarlett Johansson and th rediscovery of Bill Murray. A melancolic drama filmed like a Wong Kar-Wai film but signed Sofia Coppola. Don't miss it!

3. Hero (Zhang Yimou)
Probablement le film qui m'a le plus jeté à terre en 2003, par ses scènes de combat montées comme un ballet hyper artistique et par son brillant hommage au Rashomon de Kurosawa (mon cinéaste japonais favoris).

Probably the film that amazed me the most in 2003. With the many fight scenes filmed like gracious ballets. But mostly for his briliant tribute to Kurosawa's Rashomon (one of my favorite film and director of all time).

4. Dogville (Lars von Trier)
Malgré tout ce qu'on en a écrit et dit sur ce film, je pense qu'il est à voir et même qu'on peut l'apprécier si l'on peut passer outre la prétention flagrante de von Trier.

Even with all that has been written and said about this film I think it's a must see and one can even appreciate it if he can forget about von Trier's pretenion.

5. Elephant (Gus Van Sant)
Très actuel avec toutes les tueries dans les écoles dont celle de Columbine qui inspira ce film. On ne cherche pas à trouver le coupable mais à montrer comment cela peut toucher une "high school" américaine.

Up to date and of his time, inspired by the Columbine massacre Van Sant doesn't try to find the guilty for this horror but he shows how it involves many people in a High School.

6. Kill Bill Vol.1 (Quentin Tarantino)
Le premier volet de ce film culte inclassable de la part de l'Enfant terrible de Hollywood. On y passe un bon moment.

The first volume of this subgenre cult film by the Enfant terrible of Hollywood. Takes you on a ride for a good time.

7. Mystic River (Clint Eastwood)
Eastwood s'est véritablement fait voler aux Oscars par le couronnement de la trilogie Lord of the Rings. Mystic River; Un film qui marque et qui a marqué les cinéphiles.

Eastwood was robbed at the Oscars by the crowning of The Lord of the Rings trilogy. Mystic River; a film that left a memory to the cinephiles.

8. 21 Grams (Alejandro Gonzalez Inarittu)
Avec un style unique et envoutant, Inarittu nous présente un second film très intéressant avec une distribution toute étoile; Sean Penn, Naomi Watts et Benicio Del Toro.

Inarittu's unique style presents an interesting second film with an all-star cast; Sean Penn, Naomi Watts, and Benicio Del Toro.

9. The Return of the King (Peter Jackson)
Le dernier chapitre de l'un des projets les plus ambitieux de l'histoire du Cinéma. Une réussite du mariage blockbuster et film de grande qualité.

The final chapter of one of the most ambitious projects in Cinema. A triomph as a blockbuster and as a great film.

10. Zatoichi (Takeshi Kitano)
Takeshi Kitano fait revivre le personnage culte qu'est Zatoichi le samouraï aveugle. Inventif et très amusant!

A revival of the blind samurai Zatoichi by Takeshi Kitano. Smart and fresh!
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